2019骞村皫(d菐o)娓歌硣鏍艰€冭│鑻辫獮灏�(d菐o)娓歌锛氬ぉ娲ョ崹妯傚
鐎忚
鏀惰棌
temple of solitary joy is located at inside west city gate of ji county, tianjin city. it is known for its refined architecture skill in channel's ancient buildings and has got the reputation of six best. these are: the earliest dingshan gate (gate of withstanding hill) of the ground hall preserved now; the earliest chiwei object on the hill gate preserved now; the earliest plane distribution which took pavilion as the center on the architecture plane; the biggest clay sculptured statue of avalokiteavara inside a pavilion in china; the avalokiteavara is also the most ancient high storeyed one; the more precious fact is that the temple of solitary joy has stood unscathed after thousand years of rain, snow, wind and frost and 28 big attacks, hence the most durable ancient monastery of thousand years.
entering the temple , the first comes to sight is 10 m high gate, on the arch of which there hangs a horizontal inscribed board: temple of solitary joy. the single eaves ground hall roof was the roof building form during the western tsin (ad265-316) and southern and northern dyansty (420-589) period, which was called siadading in ancient time and now it is called big roof. on the two ends of the plane ridge, there are inward chiweis. chi denoted sparrow hawk in ancient time, which is a kind of fierce bird. the stand base of the gate is comparatively low, but the hall pinnacle is much higher above eaves and the pottery animal figures look sturdy; solemn and sturdy. there is no ceiling inside the pinnacle, therefor the painted beam and purlieus are visible. the whole piece is exquisitely wrought, simple arranged and skillfully done, for which people gasp in administration.
crossing the gate, one comes to the core building - avalokitesvara pavilion, 23 m in height. form outside appearance, it is two storeyed, but inside there is a hidden storey, thus three storeyed in fact. on the eaves corners, pottery unicorns are sculptured, on which little buddha statues ride. copper bells are hung under eaves corners, swaying with the wind, a specially refined scene. the most attractive thing is the structure of dougong (sets of brackets on top of the columns supporting the beams within and roof eaves without——each set consisting of tiers of outstretching arms called gong, cushioned with trapezoidal blocks called dou). it is made of overlapping dougong shaped wood blocks and bow shaped horizontal wood bars by adopting 24 forms with each layer stretching out as bracket, big in upper part and small in lower part, thinly scattered, steady and sturdy. it makes eaves of the pavilion look like flying, far and deep in the sky, a beautiful and magnificent view.
entering the avalokitesvara pavilion, the very sight is a huge standing avalokitesvara statue. if one stands by it, his height is only up to her ankle. the statue, 16.27 m in height, is the biggest clay sculpture of avalokitesvara in china. two statues of attendant bodhisattvas under the knee of avalokitesvara are also 3 m in height. on the crown of the head of avalokitesvara, there are 10 small avalokitesvare's heads, hence it is called 11 faces avalokitesvara. reviewing around the inner part of the pavilion, one can discover that pillars of high and low storeys are not directly linked through, but the pillars of the upper storey are inserted into the arch head of that of lower storey. the upper storey of the pavilion is in a form of six corners empty well, while the lower storey is in a form of square empty well. this kind of structure is not only beautiful and strong, but also adds the space of the upper part of budha statues. on the four walls inside the pavilion, colorful murals are painted, the theme of which is the images of 16 arhats and 2 ming dynasty emperors, which are the earliest subjects of buddhism. on he murals, 2 m high arhats with 3 heads and 4 arms are extremely lifelike and ming emperors on the four walls are full of power and grandeur. on the upper part of the murals, there are mountains, forest, cloud and river, while on the lower part, there are paintings of secular themes with vivid and natural lines, which embody the superb the skill and arts of painting of ancient buddhism in china.
鍚勪綅鑰冪敓鍦ㄧ⿳妤靛倷鑰冪殑鍚屾檪涓嶈蹇樿鎵撳嵃婧栬€冭瓑鍙冨姞鑰冭│锛屽缓璀版偍 鍏嶈不闋�(y霉)绱勭煭淇℃彁閱�鏈嶅嫏(w霉)锛岀挵(hu谩n)鐞冪恫(w菐ng)鏍″皫(d菐o)娓歌瓑闋婚亾鏈冨湪婧栬€冭瓑鎵撳嵃鐨勬檪鍊欐簴鏅傜煭淇￠€氱煡鎮�!
鐠�(hu谩n)鐞冪恫(w菐ng)鏍″皬绶ㄦ韩棣ㄦ彁閱掞細浠ヤ笂鍏�(n猫i)瀹瑰氨鏄挵(hu谩n)鐞冪恫(w菐ng)鏍″皫(d菐o)娓歌瓑闋婚亾鐐烘偍鏁寸悊鐨�“2019骞村皫(d菐o)娓歌硣鏍艰€冭│鑻辫獮灏�(d菐o)娓歌锛氬ぉ娲ョ崹妯傚”锛屾洿澶氬皫(d菐o)娓歌瓑楂橀牷鑰冮粸銆佹ā鎿│椤屽拰姝峰勾鐪熼锛岃珛鎮ㄩ粸鎿婁笅闈㈡寜閳曢€插叆椤屽韩鍏嶈不涓嬭級銆�
-
2023骞村娓歌祫鏍笺€婃斂绛栨硶瑙勩€嬬湡棰樺強瑙ｆ瀽
闂傚倸鍊搁崐鎼佸箠韫囨稑纾跨€规洖娲犻崑鎾舵喆閸曨偀鏋欓梺杞扮缁夋挳锝為姀銈呭強闁跨噦鎷� 0婵犵數鍋涢悺銊у垝瀹€鍕妞ゆ劧绠戠粈鍕煥閻斿搫孝缁惧墽绮幈銊モ攽閸ャ劉鏋� 闂傚倷鑳舵灙妞ゆ垵妫楅悾婵嬪箹娴ｇ鍋撻崒鐐存櫢闁跨噦鎷� -
2022骞村娓歌祫鏍笺€婃斂绛栨硶瑙勩€嬬湡棰樺強绛旀
闂傚倸鍊搁崐鎼佸箠韫囨稑纾跨€规洖娲犻崑鎾舵喆閸曨偀鏋欓梺杞扮缁夋挳锝為姀銈呭強闁跨噦鎷� 17婵犵數鍋涢悺銊у垝瀹€鍕妞ゆ劧绠戠粈鍕煥閻斿搫孝缁惧墽绮幈銊モ攽閸ャ劉鏋� 闂傚倷鑳舵灙妞ゆ垵妫楅悾婵嬪箹娴ｇ鍋撻崒鐐存櫢闁跨噦鎷� -
2020骞村娓歌祫鏍笺€婃硶瑙�+涓氬姟銆嬬湡棰樿瘯鍗�
闂傚倸鍊搁崐鎼佸箠韫囨稑纾跨€规洖娲犻崑鎾舵喆閸曨偀鏋欓梺杞扮缁夋挳锝為姀銈呭強闁跨噦鎷� 8婵犵數鍋涢悺銊у垝瀹€鍕妞ゆ劧绠戠粈鍕煥閻斿搫孝缁惧墽绮幈銊モ攽閸ャ劉鏋� 闂傚倷鑳舵灙妞ゆ垵妫楅悾婵嬪箹娴ｇ鍋撻崒鐐存櫢闁跨噦鎷�
鏈€鏂拌硣瑷�
- 2024骞村悇鐪佸皫(d菐o)娓歌瓑闈㈣│灏�(d菐o)娓歌鍖附2024-08-14
- 2023骞村悇鐪佸皫(d菐o)娓歌瓑闈㈣│椤岀洰鍟忕瓟椤屽尟绺�2023-12-22
- 灏�(d菐o)娓歌瓑榛戦緧姹熼潰瑭�200閬撶煡璀樺晱绛旈2023-12-19
- 绂忓缓灏�(d菐o)娓歌瓑闈㈣│200閬撶煡璀樺晱绛旈2023-12-19
- 鍚夋灄灏�(d菐o)娓歌瓑闈㈣│鍟忕瓟椤�231閬�2023-12-19
- 姹熻タ灏�(d菐o)娓歌瓑闈㈣│璩囨枡锛�210閬撳晱绛旈2023-12-19
- 寤ｆ澅灏�(d菐o)娓歌瓑闈㈣│鏅粸鍙婄煡璀樺晱绛旈2023-12-19
- 灏�(d菐o)娓歌瓑闈㈣│鑰冭│鍙冭€冭硣鏂欙細鏅粸鍙婄煡璀樺晱绛旈2023-12-18
- 2023骞村叏鍦嬪皫(d菐o)娓歌瓑鑰冭│闈㈣│寰�(f霉)缈掕硣鏂欏強鎶€宸�2023-12-13
- 2023骞村皫(d菐o)娓歌瓑闈㈣│鑰冭│鍟忕瓟椤屻€愬厤璨荤嵅鍙栥€�2023-12-11
鎵撳崱浜烘暩(sh霉)
京公网安备 11010802033350号
